The Wildlife Trusts VIII: Night Hunter – Limited edition print

Description

The Print
Each print comes with it’s own certificate of authenticity signed by me. Only the finest materials were used to make this limited edition print, which I have produced myself. Both the paper (Somerset Enhanced Velvet) and the inks (Epson UltraChrome Pro) are of archival quality, meaning the print could last up to 400 years.
Size: The framed print is 55 cm x 35cm and the unframed print is 50.5cm x 40.5cm. A standard size that should enable you to get a frame easily online if you choose this option.

The Technique
I draw with Uni-ball Signo ballpoint pens on raw linen canvas. To prepare the surface I lighten the canvas with a white oil paint wash. Once this is dry, I draw with the biro, as I would with pencil on paper. After the drawing is complete, it’s varnished (to fix the ink in place) and more white oil paint is used to add light and finalise the composition. The ink is actually surprisingly versatile, in terms of its colour. If I want a blue tinge to the work I can layer white oil paint over it, or leave the canvas showing through to leave a sepia tone.

The Inspiration
This was the eighth artwork created as part of The Wildlife Trusts project. The project lasted just over a year and involved us travelling around England, Scotland, Wales and Northern Ireland, visiting 53 Wildlife Trusts reserves, across 20 separate Trusts.

One of the most special things about this project is meeting, and spending time with the workers and volunteers of the trusts. They are full of knowledge, enthusiasm and drive to make this country a better place. Two such people were Katy and Ronald, who took a large amount of the day to show us Slievenacloy (owned and managed by Ulster Wildlife Trust). We were there for hours as the sun set and one of the highlights (amongst many) was being stunned into silence as a long-eared owl drifted over our heads long after the sun had set. More than enough inspiration for a piece of art.